‘The Battle of Moytura Or The Battle for the Soul of Ireland’:- why ecoliteracy for the arts is essential now

A new work from Irish writer Fearghal Duffy who has a deep interest in Irish myth and who was ‘a student’ in Cathy Fitzgerald’s first ONLINE 6-week ‘Haumea Ecoliteracy for Creatives and Art Educators’ course. online course

This is a special post for me. I’m reflecting on the first of what I expect to be many more contributions from ecoliterate creatives I am getting to know in my online ecoliteracy course. I now have the good fortune to meet such talented creatives from all art disciplines and from across the world, in my efforts to bring ecoliteracy to the arts. Their work has nourished me in these challenging times.

I’d like to share this new work below from Irish writer Fearghal Duffy who has a deep interest in Irish myth and who was a ‘participant’ in my first 6-week ‘Haumea Ecoliteracy for Creatives and Art Educators’ pilot online course (I hesitate to call my cohort ‘students’ as they are remarkably talented).

This new work from Fearghal came about as I invited my first cohort of participants to present a small work for our last online Zoom group meeting, to reflect on the ecoliteracy course material, and to celebrate the 50th anniversary of Earth Day, Haumea Day (Haumea is the name for the Earth Goddess of the Pacific that I use for my work, and our last meeting was on this special day). I gave little direction to what people could present but I was witness to an astonishing array of thoughtful, profound and moving work for these uncertain times.

Fearghal gifted this work to us (and to share to others here). He drew on the people in our fantastically creative group–dancers, makers, a sculptor, painters, a philosopher, writers, a graphic artist, a broadcaster, artists and art teachers–many of who were Irish or who have connections to Ireland. Fearghal mixed a spell to recast us as mythic cultural warriors and presented Haumea in one of her Irish mythic guises as the Morrigán. This essay powerfully captures the spirit of what might happen if the arts were supported to rise up for Earth, for Haumea. Oh, my!

Thank you so much Fearghal for this essay, this timely provocation to the arts and those that support them. This new myth of Moytura is everything I could envision for the arts in Ireland and across the Earth, to embody and inspire ‘the wisdom, love and beauty’ we will need for a renewed and regenerating culture for the Earth’s and our wellbeing.

Because, in this frightening pandemic pause, we will need inspiring and wise creativity to pivot toward a more just, more beautiful and life-sustaining way of living as never before, for The Symbiocene era as I have written of previously. Also, and I’m delighted to share that my artist friend and tech-business mentor Mary Carty, who has long supported my Haumea work, supplied the wonderful illustrations. The references to ‘Wisdom, Love and Beauty’ are from my collaborator eco-philosopher friend, Dr Nikos Patedakis who has co-hosted my course meetings and so much more.


The Battle of Moytura

Or

The Battle for the Soul of Ireland

by Fearghal Duffy

presented to the first online Haumea Ecoliteracy group, Earth Day 22 April 2020

‘Beauty, Love and Wisdom’ (aka Haumea) by Mary Carty 2020 (courtesy of the artist)

Once upon a time, a great battle, the battle of Moytura was fought between the ancients of Ireland, the Túatha Dé (The Tribe of the Gods) and The Fomorians.

These two groups could not have been more different.

The Túatha Dé spent their time seeking wisdom, developing poetic insight, learning lore and practicing mysticism. Their artistic endeavours harmonized them to the natural world, so much so that they often became transparent to the places they inhabited, rendering them virtually invisible when encountered in a forest, on a mountain, or in a wetland.

The Fomorians were their complete antithesis. They had assumed a grotesque and horrific appearance, an ugliness that had shaped them over time, roughhewn by their avarice and insensitivity to nature. They treated nature with contempt. They treated the arts with contempt. They had no heed in wisdom, love and beauty. They were utterly hostile to them all.

The Fomorians, through subterfuge and deceit, had seized control of Ireland from the Túatha Dé. During their reign they abolished the arts. They undermined culture. “No value, useless”, they mocked. They debased artists, poets, and philosophers, subjecting them to menial tasks. They deracinated ancient forests. They dammed rivers. They contaminated lakes. They emptied the sea of its fish. They mined out mountains and plundered the deep earth. They despoiled and denuded entire landscapes, turning them into industrialized wastelands. Black smoke and filthy ash enshrouded the earth. Soon enough, birdsong was no longer heard, bees were no longer buzzing, flowers were no longer pollinated, stags were no longer bellowing from their wild places, the howling of wolves were no longer heard, forests no longer poured forth their fruits. The earth had ceased to sing its song during their reign. Despite the commercial wealth, it was an impoverished world. It was a dejected world, a world weighed down with solastalgia. And for reasons no one could fathom, the people who had been inveigled and enslaved by the Fomorians had themselves become like Fomorians. They developed Fomorian dispositions. They no longer loved nature, no longer loved wisdom, love and beauty. Their only concern was consuming; consuming, consuming, consuming.

But the Túatha Dé regrouped and decided something had to be done. They assembled the aés dana, the people of arts, their artists, poets, and philosophers. They endeavoured to work together, to collaborate by drawing upon their respective ancient tradition, their learning and wisdom, and to reinvent it, to reimagine it, to find new ways of speaking to and for nature, to first, revitalise themselves, then to revitalise nature, and then the hearts and minds of those enslaved, to break the Fomorian spell that had been cast over them.

And so, through their arts, by connecting with the imbas forosna, the great wisdom that illuminates, the Túatha Dé invoked nature. By so doing, they invoked their own true nature, their own deep nature. They entered into mystical states of being; gaining renewed otherworldly vision and perception. And so began the process of revivifying the spirit of nature. They recited earth healing poetry and myths. They sang earth healing songs. They danced earth healing dances. And soon enough, the earth itself joined in with all their creative energies and the rivers burst free of their dams, lakes detoxed, wild flowers sprang forth in cacophonies of colour, native broad leaf trees erupted earnestly from the earth, sonorous birds sang symphonically from their branches.

And as nature healed, the Túatha Dé grew stronger in courage and conviction. They were ready for battle with the Fomorians. Nature rowed in behind the Túatha Dé. The sun scorched the Fomorians. Rivers and lakes withdrew their healing waters from the Fomorians. Healing herbs disguised themselves from the Fomorians. The mountains hurled boulders down on their armies. The winds and rains assailed them. Before long, the Fomorian army has been all but defeated.

But the inevitable climax of the battle came down to being between the two champions of each tribe. For the Túatha Dé it was Lug Samildanach (i.e. Lug, he is who is skilled in many arts). For the Fomorians, it was Balor Súil Míldagach, Balor of the Evil Eye, Balor of the Poisonous Eye, Balor of the Economic Eye, Balor of the Ecocidal Eye. Balor’s eyelid was so large that it took four strong warriors to raise it open. Whatever Balor’s eye gazed upon became diminished and destroyed. A large forest could be razed in seconds by a more glimpse of Balor’s Ecocidal Eye.

But Lug, being skilled in many arts, meditated deeply, set his intentions; so that when it came time to do battle he was in such a deep transcendent state, that he bedazzled his foe with his radiating light. And when his evil eye was raised, Lug seized his sling and stone, and drove the ecocidal eye out through the back of Balor’s head. Its withering gaze fell upon the last of the Fomorian army, and destroyed them.

Nature healed. Culture healed. These two realms that had been separated overcame the distinctions between them so that, once again, to be living in Ireland was to be living in nature’s dream of itself.

But, lest it be forgotten that an eye and a mind can turn destructive, can turn poisonous, can turn ecocidal, can reduce everything in its sight and thought to a commodity, the Morrigán, the Great Queen, an Earth Mother, uttered a prophetic warning. She augured to the royal heights of Ireland, to its rivers and lakes, and its inhabitants, both human and more-than-human, that a time would return when the Fomorian disposition prevailed:

The Morrigán’s Prophecy

‘Wisdom’ – the Morrigán, the Great Queen, an Earth Mother, Haumea by Mary Carty 2020

I shall not see a world that will be dear to me,
summer pastures will be without wild flowers and herbs,
cows will be without native grasses,
men without vision,
women without influence,
there will be conquests without kings,
global cartels,
chemical weapons
knowing no borders,
transverse lands.

I see,
sombre woods without mast,
forests without flora,
terrains without fauna,
seas without fish.
Armies fight storms,
many habitations abandoned,
their dwellings empty,
lakes, rivers, estuaries forsaken,
high hills will be refuge,
oceans will flood over many realms,
welcome to catastrophe!
laments for the arts and culture,


I see,
All faces,
Withering in guilt,
Shrivelling with grief,
Solastalgia,
Many crimes against earth
Wars against nature,
Betrayal by legislators
A shroud of sorrows,
Lying maxims of authorities,
Every man a deceiver
Every youth corrupted
The son will follow his father’s lead
The father will lead his son astray,
No longer following nature’s way.
Evil is the time
When children dishonour their mother Earth.

The Morrigán then exhorted the multitudes to honour the earth,

that by doing so, they would honour themselves.
By exalting the earth, they would exalt themselves.
By caring for the earth, they would care for themselves.

By being true to the Earth, they would be true to their true selves.


See more of Fearghal’s writing here.


PS – If you work in the arts, if you love and value the arts even more so now for these urgent times, please feel free to share! And if you are interested in my course, workshops, mentoring or cultural policy writing, please email me at cathyart@gmail.com or follow this site or on Instagram.


Hello! Kia Ora! My name is Cathy Fitzgerald, and I’m an Irish-based New Zealander living in rural Ireland these past 20 years.

“I’m passionate about bringing ecoliteracy to the art sector. Creatives, if informed with basic ecoliteracy (ecological knowledge), can ‘translate’ the science relevant to their diverse urban and rural communities and audiences. Research confirms ecoliterate art professionals, with their skills in inclusivity and creativity, will have a critical leadership role to inspire diverse communities across the world, to envision the more beautiful, just and better world we know is possible.

Cathy Fitzgerald
Cathy Fitzgerald, PhD: eco-social artist | educator | researcher |

And supporting ecoliteracy in the arts is an urgent task, given that the pandemic is seen as another symptom of the wider and accelerating ecological emergency.

“I’m passionate about bringing ecoliteracy to the art sector. Creatives, if informed with basic ecoliteracy (ecological knowledge), can ‘translate’ the science relevant to their diverse urban and rural communities and audiences. Research confirms ecoliterate art professionals, with their skills in inclusivity and creativity, will have a critical leadership role to inspire diverse communities across the world, to envision the more beautiful, just and better world we know is possible. And supporting ecoliteracy in the arts is an urgent task, given that the pandemic is seen as another symptom of the wider and accelerating ecological emergency.

New One-day Workshop in County Carlow, Ireland: ‘Everything Must Change’: Essential Ecoliteracy* for your Creative Practice or Teaching

<img class=" wp-image-259 alignleft" src="https://myhaumea.files.wordpress.com/2018/12/cropped-cropped-smallhaumea_logo1.png&quot; alt="ClipArt Source : Koru Clipart” width=”68″ height=”68″>Update: Fully Booked! but please email me to be placed on waiting list or list for future courses.

Screen Shot 2019-10-06 at 15.43.42

Haumea Ecoliteracy Services for the Arts:

New One-day Workshop in County Carlow, Ireland

Screen Shot 2019-10-06 at 15.57.06
allartforearth

with ecological artist, educator and former scientist, Cathy Fitzgerald, PhD


<img class=" wp-image-259 alignleft" src="https://myhaumea.files.wordpress.com/2018/12/cropped-cropped-smallhaumea_logo1.png&quot; alt="ClipArt Source : Koru Clipart” width=”58″ height=”58″>*  Ecological literacy – “ecoliteracy” is about gaining the environmental and ethical knowledge of what makes life on earth possible, just and sustainable. Ecoliteracy will deepen and empower your creative practice for these urgent times.

‘In knowing what we have to do, we have to do the science, but we have been making a mistake in thinking that’s enough. We equally have to decide on what we most deeply value, we have to talk about the ideals the move us, we have to figure out what we hope for our children, we have to decide what we believe in… AND THIS IS THE WORK OF ART, POETRY, LITERATURE AND RELIGION AND PHILOSOPHY – ITS THE WORK OF CIVIL COMMUNITY – IT IS STORY-TELLING IN ALL ITS FORMS’

Writer and philosopher, Kathleen Dean Moore, 2013


‘Everything Must Change’:
Essential Ecoliteracy*

for your Creative Practice or Teaching:

One-day Workshop

Saturday 2 November 2019

10.30am  – 4pm

Rathanna Community Hall
Rathanna Village, County Carlow

Eircode R95 ND00

Fee: €20  for County Carlow residents,
€30  for those living outside the county.

Vegetarian lunch and refreshments will be provided. Free car parking opposite the Hall. Hostel accommodation at Osbourne’s Storehouse Hostel and local Air B & B’s.

Who is this Workshop for?

This workshop is for working creative practitioners of ALL art and craft disciplines. As an ecological view fosters collaborative activities, the course is particularly relevant to community art and social art practitioners & educators. SEE FULL COURSE INFORMATION BELOW.

BOOK EARLY! MAXIMUM of 15 PARTICIPANTS

Email cathy@haumea.site to confirm your place

Places are limited. Note: This is a pilot group workshop where we will learn and share together. An online pilot course will also be available in the near future.

Please note, this is NOT a workshop to make an environmental artwork. Rather, it is a course to start thinking about how you might transform your practice or your teaching for the environmental-social emergency.
_____________________________________________________________________________________

Screen Shot 2019-03-31 at 18.26.34
Grateful thanks to the Carlow Arts Office. Workshop development and places
are subsidised by a generous 2019 Carlow Arts Office Award.

_____________________________________________________________________________________

Full Course Information

‘Everything Must Change’ :

A Paradigm Shift for Society and the Arts

Screenshot 2018-12-16 12.17.11

Stark environmental reports have made headlines in the last year. An estimated 8 million people worldwide have recently joined marches to demand new Earth-aligned actions. Scientists began alerting humanity decades ago of the impending catastrophe. Yet there is only dawning appreciation that we are in the midst of an unprecedented cultural crisis. The catastrophe rapidly unfolding is because Western culture has long promoted a way of living that is incompatible with life on Earth.

A necessary ecological worldview fundamentally challenges modern cultural beliefs and creative practices to expand awareness of the necessity of all species thriving within healthy ecosystems. However, few art institutions are offering teaching for this enormous societal shift. As environmental writer-activist Naomi Klein argues, ‘This Changes Everything!’ and everything must rapidly change. Bringing art and ecology together makes creative practices more complex. But creative workers have enormous skills to engage society, to help us all imagine and experience new ways of living well with the Earth and all of its inhabitants.

Learn about ecological knowledge for your creative practice or teaching 

Feeling overwhelmed, isolated and concerned about the planetary environmental emergency? Do you sense cultural responses are needed for these urgent times? That future arts funding will be increasingly  directed to this topic? Do you wish to respond through your creative practice or teach others but don’t know where to start?

Gain confidence and competence for this urgent new topic

In this supportive, information-sharing one-day workshop you can connect with others, and learn with Cathy Fitzgerald, PhD, a Carlow-based local ecological artist,researcher and educator. Cathy, a former science researcher, is a nominated member of the International EcoArt Network and a Research Fellow at the Burren College of Art. Cathy’s in-depth knowledge and practice insights on why creative practitioners have a key role, alongside scientists for the planetary emergency, are based on many years first-hand creative practice experience, and in-depth research of others’ ecological art  practices.

jmacey.png

In 5 modules, I will share my ‘Ecoliteracy Guide’ to introduce you to:

  • the historical roots of the environmental-social emergency,
  • a means to navigate environmental science with ease,
  • self-care supports for this often confronting topic,
  • understandings of why the incoming ecological worldview challenges
    conventions of  modern art practice,
  • understandings to situate your work within an expanded Earth ethic

Overall, you will become aware of the exciting, inclusive social power of bringing ecological concepts and art together for yourself and your audiences. The information in this course will be valuable for writing about your creative practice and empower you for future opportunities in the art and ecology area.

All attendees will be provided with resource material, handouts and be shown examples of diverse practices.

Testimonials:

testimonials.png

Remember – Book early! Maximum 15 participants

Email cathy@haumea.site to confirm your place or to ask further questions.  

Note: This is a pilot group workshop in Rathanna village, south County Carlow. An online course pilot will also be available in the near future.

Please follow this site to be kept informed of future courses.


CultureDeclaresKite-HORIZ-PINK-LRG

*I became an Irish signatory to the international CultureDeclares Emergency movement in early 2019.

My online Ecoliteracy course is a contribution to this movement.

From the Culture Declares Website

“Co-creating a regenerative culture – one that is inclusive, healthy, life-supporting, resilient and adaptable – requires rebuilding just and ethical relationships between ourselves, and with other species and the landscape. This takes time.

Regenerative culture includes:

  • Teaching and implementing the changes we want to see in society

  • Challenging power and privilege

  • Supporting each other in tending to grief as we face the truth about this emergency

  • Building a culture of care into our daily lives – care for ourselves, each other and the Earth

  • Changing the paradigms by which we design, grow, make and trade so that the living planet can be regenerated.”

#FridayArt4Emergency: Lisa Fingleton’s annual 30-Day Local Food Challenge

It is not easy to eat local Irish food all year round and I know that. There are hungry months in late Spring when the food is just not ready after late frosts. So three years ago I decided to do a trial month: A 30 day local food challenge. September seemed a really good option as the garden is truly abundant with tomatoes, kale, spinach, herbs, peas, beans, onions, garlic, beets, carrots, parsnips and the list goes on. It is a luscious month in the gardening calendar. To eat Irish still means doing without what Barbara Kingsolver called ‘botanically outrageous’ foods, but it is somehow easier this month with all the food on offer in the garden and hedgerows.

Lisa Fingleton talking about the annual 30 Day Local Food Challenge

A creative eco-social art practice that I really admire is Irish artist Lisa Fingleton’s 30 Day Local Food Challenge. The creative idea grew several years ago when Lisa was horrified to read the 40 listed and many imported ingredients in a BLT sandwich, and then and there, decided to challenge herself to just eat local Irish food for a month. She then shared her challenge on social media and others became involved.

Growing up in a household where her father grew all their food and now living on a small farm with her partner in Co. Kerry, Ireland, Lisa’s creative practice awakens awareness of the unsustainability of the globalized food system for herself and her local community. Her work highlights the shocking statistic that only 1% of Irish farms grow vegetables, the lowest in the EU  (which is doubly shocking considering Ireland’s history of famine). Most heartening is that Lisa’s practice has uncovered and promoted networks of local food producers in a fun and engaging way.

Lisa brings many strands of artist activity together and through drawings, photos, keeping a diary, and great conversation fosters much needed community awareness about an urgent topic for us all.

Over time, Lisa’s 30 Day Local Food Challenge has developed considerable national press and radio attention. Lisa has since toured the project to other counties, conducted children’s workshops and created a very delightful, informative book about the project (which can be purchased from her website (http://lisafingleton.com).The-Local-Food-Project-Book-For-Sale

Three years later, this year’s 2019 Challenge is underway for the month of September and I’m happy to see the idea is catching on across the country. To join in, go to https://www.facebook.com/groups/30daylocalfoodchallenge/

And, it is a challenge once you start, to only eat food from your country and forgo all the imported treats and exotic fruits. However, making decisions about your food does makes real how the industrial food model all too easily has alienated us from being sustainable and self reliant. When environmental writer Naomi Klein writes thats ‘everything must change’, Lisa’s work shows how creative workers can help communities foster ecoliteracy, fun and agency for a better world we know is possible.

 

 

#FridayArt4Emergency: ‘Solastalgia’ – the film

I have been thinking for some time, in my development of an online course for essential ecoliteracy, that I should begin sharing creative works.

Many people have asked me how to develop creative work for the ecological emergency that is not too preachy. This sometimes seems a hard thing to achieve with a complex topic in which many creative workers and their audiences are little informed of the environmental collapse that modern civilization promotes. In these urgent times, we need all types of creative approaches to envision and inspire a new ecological way of living, that safeguards lives now and for the future.

I also wanted to chime with Greta Thunberg’s extraordinary efforts, and many other young people across the world who are raising awareness that we must all understand the environmental science that confirms our way of living is causing accelerating ecological collapse and mounting social injustice in many countries. With Greta and the children schoolstriking every Friday, I will likewise post an art practice every Friday that I feel touches audiences and inspires creative workers too.

Screen Shot 2019-08-29 at 10.51.32.png

For my 1st post of #FridayArt4Emergency, I’m starting with a new short film work that incorporates dance, spoken poetry, and audio-visual recordings of the other-than human world. The film work is titled Solastalgia (2019, Pascal Tremblay and Sean Stiller, British Columbia). The film embodies responses to a new term for the grief many of us now feel for our environment ‘solastalgia’, particularly highlighted these last few weeks with the devasting increasing deforestation and fires set off across the Amazon region.

Although the film doesn’t mention it, the film also ably depicts, through dance, image and words, a powerful, underlying ‘soliphilia’, our graditude and love for the Earth.

Screen Shot 2019-08-29 at 10.54.31.png

These new terms, solastalgia, soliphilia, and more, are from Australian farmer-philosopher Glenn Albrecht. In his recent book Earth Emotions: New Words For a New World (2019) (which I previously have written about here), he details how such terms, and shared in creative works have much power to inspire a new, sustainable way of being with the Earth. He believes that creative workers will be at the forefront to share ideas of a new age, the Symbiocene, where we live life so all beings thrive.

Solastalgia the film below conveys the context of the crisis many creative people are now approaching in a emotive, engaging way. Works like this can move us in ways science can’t – we need both understanding and engaging ways to change societal behaviour to the better world we know is possible.

Congratulations to the communication agency, Good Kind Films – their ethos speaks to a new ecological age, the skilled filmmaker, dancer and world renowned eco-poet and educator Craig Santos Perez from Guam.

Lets share this film, this meme for the Symbiocene, far and wide.

The background story to this film is here

PS I have found other filmworks on Solastalgia made in recent months since writing the above. It’s so fantastic to see more creative expressions, more ecoliteracy fluency and confidence developing in the arts, for these urgent times.

Do feel welcome to share works that inspire you too!

 

Welcome news: Green Arts Initiative for Ireland launched

Huge congratulations to Caitriona Fallon and Theatre Forum Ireland, who under the guidance of Creative Carbon Scotland’s team and their Scottish Green Arts Initiative, have set up an Irish Green Arts Initiative to ‘provide Irish arts organisations with the resources and support to help build a green Irish arts community.’ #culturedeclaresemergency #ireland

Huge congratulations to Caitriona Fallon and Theatre Forum Ireland, who under the guidance of Creative Carbon Scotland‘s team and their Scottish Green Arts Initiative, have set up a Green Arts Initiative in Ireland to ‘provide Irish arts organisations with the resources and support to help build a green Irish arts community.’

I have written at length about the absence of supports and information for the Irish Arts Community in regards to engaging with eco-social concerns, and had indicated that replicating Creative Carbon Scotland’s strategies would suit particularly suit the Irish context. I literally knocked on Creative Carbon Scotland’s door in 2016, asking for their support to for my research on overseas art & sustainability programmes. CEO Ben Twist and his colleague Gemma Lawrence couldn’t have been more supportive.

Caitriona was in touch with me last year and again more recently and she is passionate about this area too. As the former CEO of Siamsa Tíre, the Irish Folklore Theatre and Gallery in Tralee, she was instrumental in getting the first Green Accreditation for a cultural space in Ireland ‘Greening Siamsa Tíre‘ and creating internal policies for waste and water management, energy, biodiversity, transport and travel, green teams and green procurement, through Julie’s Bicycle, the English art and sustainiblity organisation. Therefore, the launch of the Green Arts Initiative in Ireland by someone who is experienced in Greening a public cultural space and organisation is very welcome news for everyone in the Irish arts community, not matter what art discipline you pursue.

And if  you are unfamiliar why its so important to bring arts and sustainability ideas together, there are strong and urgent moral reasons why all workers in cultural institutions should engage with these developments. (I share environmental philosopher and writer Kathleen Dean Moore’s clear explaination as to why moral reasoning compels us all to act now in Chapter 2.2 of my review of overseas art and sustainability programmes). Having a Irish Green Arts Initiative will undoubtedly help Ireland’s arts community appreciate that the arts have a key role, alongside science, to engage our diverse communities in rural and urban Ireland for a better and more beautiful world.

Greening Ireland’s ‘Organisations’ is one key strategy that Creative Carbon Scotland and Julie’s Bicycle recommend. Hopefully before too long, other developments to support ‘Artists’ and ongoing ‘Strategy’ (as seen below), central to both the Scottish and UK’s programmes, will also be adopted in Ireland to enable our arts community to effectively engage with this topic for all their audiences.

The three main areas for Creative Carbon Scotland’s and similary for Julie’s Bicycle art and sustainability programmes in the UK. Image: Creative Carbon Scotland, 2019.

These are the first aims that Catriona and Theatre Forum will be looking at below.

If you are involved in managing or work at an Irish cultural space or organisation please contact Caitriona below:

Run by Theatre Forum and Catriona Fallon, under the guidance of Creative Carbon Scotland, the Green Arts Initiative in Ireland aims to:

  • Support members with practical advice on reducing their carbon footprint and overall environmental impacts.
  • Provide members with opportunities to enhance their sustainability competencies through training and networking.
  • Collect information about what organisations are currently doing to improve their sustainability.
    It would be really helpful if you could complete our survey.

Useful Resources 

Here are some resources that we’ve created – more to come!

Email info@theatreforum.ie for more information.

This information was originally posted in the Creative Carbon Scotland newsletter 28 June 2019.

Cathy Fitzgerald is developing ecoliteracy courses for the arts in Ireland

Screenshot 2018-12-16 12.17.11

I am delighted to share news of support from the Carlow Local Enterprise Office and the Carlow Arts Office in my work to develop ecoliteracy courses for creative workers


I am very grateful to both organisations for these opportunities to develop courses for creative people who wish to develop informed and impactful works on critical eco-social issues.


I am undertaking a feasibility study of online course development with support from the Carlow Local Enterprise Office. Please email me if you want to be involved in developing the pilot online course: I am interested in hearing from creative workers looking at eco-social concerns from anywhere on Earth.

In September, 2019 I will be offering through a Carlow Arts Office award a seminar on essential ecoliteracy in South County Carlow, Ireland.

For more updates on these courses, ‘follow’ my site by entering your email on the homepage or you can email me for further information at cathy@haumea.site